备注:已完结
类型:纪录片
导演:未知
语言:英语
年代:未知
简介: 艾美奖肯定《鲸之谜》制作团队最新力作。 你知道章鱼其实比你想得还要聪明? 又为什么它们能在极端的环境中生存? 跟随“蚁人”保罗·路德的嗓音 解开地球上最像外星人的动物“章鱼”的非凡秘密。
备注:已完结
类型:纪录片
主演:未知
导演:Antoine Baldassari Manuel Guillon
语言:法语
年代:未知
简介: 这部纪录剧集讲述一个以不明飞行物为缘起的宗教如何转变为一个备受争议的邪教,片中包含与教徒、反对者及雷尔本人的访谈。
备注:已完结
类型:纪录片
主演:未知
语言:英语
年代:未知
简介: Every summer, teenage girls from across Missouri spend a week building a government from the ground up. Coming from different ends of the political and socioeconomic spectrum, they all share a passion for reimagining the future of America. The filmmakers behind Boys State (T/F 2020) return to the world of teen politics to capture the 2022 program – the first time in history that Girls State and Boys State take place simultaneously on the same campus. With rumors of Roe v. Wade being overturned in the real world, the stakes feel higher than ever for these ambitious and dedicated young women. As the days unfold and rumblings from the Boys program make their way across campus, discontent begins to emerge over the disparities between the two. An exhilarating portrait of our political landscape and the pivotal issue of gender equality.
备注:已完结
类型:纪录片
主演:未知
导演:詹姆斯·班宁
语言:英语
年代:未知
简介: James Benning’s first film called The United States of America was a 1975 trip across the country, capturing its scenery through a car windshield. This second one also crisscrosses the nation, but without a car, carving it up instead into a series of static shots of just under two minutes, one for each state, presented alphabetically, from Heron Bay, Alabama to Kelly, Wyoming. The names of the places are nondescript, but the images attached to them are anything but, immaculately composed shots of landscape, cityscape and the spaces in between. As we move from A to Z, the images coalesce into a portrait of today’s USA, tracing out its fault lines almost in passing: fenced-off facilities, a river bed running dry, factories and refineries, run-down streets and gas stations, a camp under a bridge. The past is there too, seeping up through the songs and speeches that sporadically pierce the background noise or the motifs that evoke a whole career; the clouds, trains and cabins are stand-ins for films, not just states. As always, there’s time for more abstract thoughts too: each image may stand for a state, but representativity is slippery. Which state is more cinematic than the rest?